Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Master of the Manna
The Mannalese

ID: 45413

Master of the Manna The Mannalese
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Master of the Manna The Mannalese


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Master of the Manna

French Early Renaissance, 15th Century  Related Paintings of Master of the Manna :. | detail depicting Saint Clare of Assisi from a fresco in the Lower basilica of San Francesco | Red Nude | Still life floral, all kinds of reality flowers oil painting 308 | Bouquet of Chrysanthemums | Odalisque |
Related Artists:
Bengt Nordenberg
1822-1902
michael pacher
Michael Pacher (c. 1435??August 1498) was an Austrian Tyrolean painter and sculptor active during the last quarter of the 15th century. His best-known work is the altarpiece at the church in the village of St. Wolfgang, Austria. This altarpiece contains scenes from the life of Jesus and the Virgin Mary. His influence is primarily North Italian, and his work shares characteristics with that of painters such as Andrea Mantegna; however, German influences are also evident in his work, especially in his wood sculpture. He was most active from 1462 until his death. Pacher was one of the earliest artists to introduce the principles of Renaissance painting into Germany. He was a comprehensive artist with a broad range of skills: sculpting, painting, and architecture of complex wood and stone. He painted structures for altarpieces on a scale unparalleled in North European art. His work is frequently correlated with the work of Andrea Mantegna.
Carel Fabritus
1622-1654 Dutch Carel Fabritus Locations Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius late works in which his use of cool silvery colours to define forms in space marks a radical departure from Rembrandt use of chiaroscuro.






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